New York Festival of Song
Kate Lindsey, mezzo, Joseph Kaiser, tenor & Steven Blier, piano

KATE LINDSEY made her debut this summer at the Tanglewood Festival in a concert version of Les Troyens conducted by James Levine, and appeared in two other chamber music concerts at the festival.  Other recent engagements have included appearances at the Metropolitan Opera as Cherubino in Le nozze di Figaro (opposite Bryn Terfel) and Stéphano in Roméo et Juliette (with Mr. Kaiser and Anna Netrebko); debuts with the Boston Lyric Opera as Cherubino, the Boston Symphony Orchestra in a new commission by John Harbison conducted by James Levine, the Cleveland Orchestra in performances of Haydn’s Harmoniemesse conducted by Franz Welser-Möst, and the Met Chamber Ensemble in Zankel Hall.  She also appeared as Rosina in Il barbiere di Siviglia and Stéphano at the Opera Theatre of Saint Louis, and Angelina in La Cenerentola at the Wolf Trap Opera.

Canadian-born tenor JOSEPH KAISER starred as Tamino in the Kenneth Branagh film adaptation of The Magic Flute.  This season he will make two highly anticipated debuts: at the Los Angeles Opera as Tamino under the baton of James Conlon, and at the Bayerische Staatsoper in Jenůfa. He returns to the Salzburg Festival as Septimius in a new Christoph Loy production of Handel’s Theodora.  His concert schedule includes performances of the Berlioz Requiem under Marek Janowski, Beethoven’s Symphony No. 9 with Christoph von Dohnányi and the Boston Symphony Orchestra, and Mendelssohn’s Elijah with Yannick Nézet-Séguin and the Orchestre Métropolitain du Grand Montréal.  Mr. Kaiser has appeared at the Caramoor Festival in a joint program with Lorraine Hunt Lieberson, which was presented under the auspices of the New York Festival of Song (available on Bridge Records), in Chicago at the Chicago Humanities Festival, in Montreal with the André Turp Society, and on the Debut Series of the National Arts Centre in Ottawa.

STEVEN BLIER

The New York Festival of Song’s artistic director Steven Blier also enjoys an eminent career as an accompanist and vocal coach. Among the many artists he has partnered in recital are Samuel Ramey, Lorraine Hunt Lieberson, Susan Graham, Frederica von Stade, Jessye Norman, Wolfgang Holzmair, Susanne Mentzer, Sylvia McNair and Arlene Augér. In concert with Renée Fleming, he has performed throughout North America and Europe, including recitals at Carnegie Hall, La Scala, Milan, and a Live From Lincoln Center telecast. His collaboration with Cecilia Bartoli began in 1994, and has included an appearance at Carnegie Hall where Mr. Blier played both piano and harpsichord.

Mr. Blier co-founded the New York Festival of Song (NYFOS) in 1988 with Michael Barrett. Since the Festival’s inception he has programmed, performed, translated and annotated over ninety vocal recitals with repertoire spanning the entire range of American song, art song from Schubert to Szymanowski, and popular song from early vaudeville to Lennon-McCartney. NYFOS has also made in-depth explorations of music from Spain, Latin America, Scandinavia and Russia.

In keeping the traditions of American music alive, Mr. Blier has brought back to the stage many of the rarely heard songs of Gershwin, Harold Arlen, Kurt Weill and Cole Porter. He has also played ragtime, blues, and stride piano evenings with John Musto. A champion of American music, he has premiered works of John Corigliano, Ned Rorem, William Bolcom, John Musto, Richard Danielpour, Tobias Picker, Robert Beaser, and Lee Hoiby, many of which were commissioned by NYFOS.

His discography includes the premiere recording of Leonard Bernstein’s Arias and Barcarolles (Koch International), which won a Grammy Award; the NYFOS discs of Blitzstein, Gershwin, and German Lieder (Unquiet Peace); Gershwin’s Lady Be Good! (Nonesuch Records); four albums of songs by Charles Ives in partnership with baritone William Sharp (Albany Records); and first recordings of music by Busoni and Borodin with cellist Dorothy Lawson (Koch International). In October 1999, New World Records issued the Grammy-nominated premiere recording of Ned Rorem’s full-length song cycle Evidence of Things Not Seen, commissioned by NYFOS and the Library of Congress. His two most recent releases are The Land Where the Good Songs Go with Sylvia McNair and Hal Cazalet, celebrating P. G. Wodehouse’s collaborations with Jerome Kern, Cole Porter, George Gershwin, and Ivor Novello and Spanish Love Songs with Joseph Kaiser and the late Lorraine Hunt Lieberson.

Mr. Blier is on the faculty of The Juilliard School, and has been active in encouraging young recitalists at summer programs, including the Wolf Trap Opera Company and the San Francisco Opera Center. As a broadcaster and writer, he has appeared both as an essayist and quizmaster on the Metropolitan Opera broadcast intermissions. His writings on opera have been featured in recent issues of Opera News Magazine and the Yale Review. A native New Yorker, he received an Honors Degree in English Literature at Yale University, where he studied piano under Alexander Farkas. He completed his musical studies in New York with Martin Isepp and Paul Jacobs.