Anne Schwanewilms, soprano, Malcolm Martineau, piano
Saturday, January 30, 2010, 7:30 PM, Terrace Theater

Anne Schwanewilms was born into a musical family in Gelsenkirchen in the Ruhr, but studied gardening before training as a singer with the great German bass Hans Sotin in Cologne. (Gardening remains her favourite relaxation, and between engagements she is creating a new garden with her husband Heinz at their lakeside home near Berlin). She learned her craft between 1991 and 1996 as a member of the Cologne Opera ensemble, and began as a mezzo, singing, among other roles, Dorabella in Mozart's Cosi fan Tutte. Ten years ago it became clear that her voice was settling into a soprano.

Her first soprano role was Gutrune in Götterdämmerung, for the 1996 Bayreuth Festival Ring, and she quickly came to specialise in the German Romantic soprano repertory, stunning English audiences at Glyndebourne in the title role of Weber's Euryanthe (2002) and, under Simon Rattle, as Elettra in Idomeneo (2003). She was a thrilling Senta in Wagner's Fliegende Holländer and other successes included Sieglinde and Leonore (Fidelio). In 2002 she was named Singer of the Year by the prestigious German magazine, Opernwelt. Around this time, the voice was becoming lighter, and she decided to give up roles like Senta, Leonore and Sieglinde, and concentrate on the lyrical heroines of Strauss, one of whom, Chrysothemis in Elektra, she had already performed with success at Covent Garden and La Scala. She sang in Strauss's late comedy, Die Liebe der Danae, in Dresden in 2005, where she will reprise the role in March 2009, and her first Marschallin was received with huge acclaim at the Lyric Opera, Chicago, in January 2006. Further performances of the Marschallin will take place in Amsterdam, Madrid, Sao Paolo, Milan and Dresden. A DVD of the Dresden Der Rosenkavalier filmed on tour in Japan has now been released and BBC Magazine called her Marschallin 'one of the most consummate operatic performances I have ever seen.' She added Arabella to her repertory in January 2009 in a new production in Frankfurt to great public and critical acclaim, and has begun a long term exploration of the huge, rich repertory of Strauss songs, both with piano and orchestra.

The voice remained as dramatic as ever. Anne still loves to sing Strauss's Ariadne (Covent Garden, 2004; Madrid, 2006), Verdi's Desdemona, Elisabeth in Tannhäuser and Elsa in Lohengrin. She has been a spectacular star in the recent revival of early 20th century operas by Franz Schreker: Der Ferne Klang (Berlin, 2001) and Die Gezeichneten (Salzburg Festival, 2005). She made her American debut as Marie in Wozzeck at Santa Fe (2001), going on to sing Beethoven's Leonore in Dallas (2002) and the Verdi Requiem in New York (2005) before her triumph in Chicago. She will add Roxane in Szymanowski's King Roger at the Bregenz Festival in Summer 2009, return to Desdemona in London in December 2009 with concert performances with the London Symphony Orchestra conducted by Sir Colin Davis, and return to Chicago in February 2010 to sing the Countess in Le Nozze di Figaro.

As an artist with an exceptional, natural gift for communicating with audiences, Anne enjoys concert work as much as opera. She has sung with, among many, the Berlin Philharmonic, Leipzig Gewandhaus, Concertgebouw, London Symphony, French National and Halle orchestras, and with conductors including Sir Colin Davis, Sir Andrew Davis, Sir Simon Rattle, Daniel Barenboim, Riccardo Chailly, Christoph von Dohnayni, Mark Elder, Kent Nagano, Kurt Masur, James Levine and Jaap van Zweden. Her orchestral repertory includes symphonies by Mahler, Mendelssohn and Zemlinsky and the orchestral songs of Strauss, especially the Four Last Songs. Among operas she has performed in concert is Humperdinck's Hansel und Gretel, in which she doubled up as both Mother and Witch, bringing the house down at the Barbican Centre in London by turning her music stand into a broomstick.

She loves to share and project the drama of words and music for audiences in smaller recitals, and gave her first Liederabend, of Strauss and Mahler songs in January 2006 in Barcelona. She works with two of the leading British accompanists, Roger Vignoles and Malcolm Martineau, and has recorded a Strauss collection with Vignoles which was nominated as Vocal recording of 2008 by BBC Music Magazine. In September 2008 she performed an all-French lieder programme (Debussy, Faure and Berlioz) with Vignoles at his Festival in Santiago de Compostela and has added further songs by Strauss, Wolf and Mahler to her concert programmes. Future lieder programmes will include songs by Schumann, Liszt, Szymanowski, Schoenberg and Berg.

Malcolm Martineau was born in Edinburgh, read Music at St Catharine's College, Cambridge and studied at the Royal College of Music. 

Recognised as one of the leading accompanists of his generation, he has worked with many of the world’s greatest singers including Sir Thomas Allen, Dame Janet Baker, Olaf Bär, Barbara Bonney, Ian Bostridge, Angela Gheorghiu, Susan Graham, Thomas Hampson, Della Jones, Simon Keenlyside, Angelika Kirchschlager, Magdalena Kozena, Solveig Kringelborn, Jonathan Lemalu, Dame Felicity Lott, Christopher Maltman, Karita Mattila, Lisa Milne, Ann Murray, Anna Netrebko, Anne Sofie von Otter, Joan Rodgers, Amanda Roocroft, Michael Schade, Frederica von Stade, Bryn Terfel and Sarah Walker.

He has presented his own series at St Johns Smith Square (the complete songs of Debussy and Poulenc), the Wigmore Hall (a Britten and a Poulenc series broadcast by the BBC) and at the Edinburgh Festival (the complete lieder of Hugo Wolf). He has appeared throughout Europe (including London’s Wigmore Hall, Barbican, Queen Elizabeth Hall and Royal Opera House; La Scala, Milan; the Chatelet, Paris; the Liceu, Barcelona; Berlin’s Philharmonie and Konzerthaus; Amsterdam’s Concertgebouw and the Vienna Konzerthaus and Musikverein), North America (including in New York both Alice Tully Hall and Carnegie Hall), Australia (including the Sydney Opera House) and at the Aix‑en‑Provence, Vienna, Edinburgh, Schubertiade, Munich and Salzburg Festivals.

Recording projects have included Schubert, Schumann and English song recitals with Bryn Terfel (for Deutsche Grammophon); Schubert and Strauss recitals with Simon Keenlyside (for EMI); recital recordings with Angela Gheorghiu and Barbara Bonney (for Decca), Magdalena Kozena (for DG), Della Jones (for Chandos), Susan Bullock (for Crear Classics), Solveig Kringelborn (for NMA); Amanda Roocroft (for Onyx); the complete Fauré songs with Sarah Walker and Tom Krause; the complete Britten Folk Songs for Hyperion; and the complete Beethoven Folk Songs for Deutsche Grammophon.

This season’s engagements include appearances with Sir Thomas Allen, Susan Graham, Simon Keenlyside, Angelika Kirchschlager, Magdalena Kozena, Dame Felicity Lott, Christopher Maltman, Kate Royal, Michael Schade, and Bryn Terfel.

He was a given an honorary doctorate at the Royal Scottish Academy of Music and Drama in 2004.